|
Click Here for the top 100 movie quotes! |
Oh, another point; I've revisited (watched 'em again) many of the older movies on this list and found some I still like while others seem simple or outdated. Nevertheless, I've kept true to my original ratings for all these movies, in their day, since at that time they struck me the way they did for a variety of reasons. Contemporary culture at the time, the political environment, or maybe a new technique or effect that had never been used before were all reasons why enjoyed many of these selections so much. And, of course, my own age and maturity at the time had a lot of influence on me as well... Anyway, you get the idea - we all have tastes that develop over time for a variety of reasons - I hope you enjoy reminiscing about some of your old favorites as much as I do!
- Roger J. Wendell
Golden, Colorado
Roger rates 'em:
| Yes! - Roger Recommends | Yes! - Roger Recommends |
|
|
Note: There are a lot of bad movies out there. And, unfortunately, I've probably seen a "ton" of 'em. However, because I'm so impatient I usually don't sit through an entire movie if I'm not enjoying it. So, to be fare, I only list films that I've seen in their entirety in this column - hoping to build-up courage to revisit the really bad ones toward the bottom of this column (see Unfinished Business, further down...)...
Anyway, here are the bad movies I was able to sit through:
| No! - Roger Retches | No! - Roger Retches |
|
|
Undecided:
| Maybe? - Some parts good, some parts bad... | Maybe? - Some parts good, some parts bad... |
|
|
For a variety of reasons (Sometimes because I lost interest or other times when I was interupted and had to leave to go do somethin else...) I didn't finish watching these movies in their entirety but may return to them someday:
| Unfinished Business | Unfinished Business |
|
|
Waiting List:
Movies I've been planning to see but
just haven't gotten around to yet...
- Path to Freedom - The Original Modern Urban Homestead
- Division Street (2009)
- God Who Wasn't There, The (2005)
- John Adams (2008)
- Enlighten Up (2008)
- Daddy of Rock 'N' Roll, The (2003)
- Pu-239 (2007)
- City of Joy (1992)
- Tropic Thunder (2008)
- Subdivide and Conquer (1999)
- Slumdog Millionaire (2008)
- Casablanca (1942)
- Exiles, The (1961)
- Falcon and the Snowman (1985)
- Lion in the House, A (2006)
- Other People's Lives???
- Happening, The (2008)
- Little Buddha (1993)
- Blackbook (2006)
- Maltese Falcon, The (1941)
- Key Largo (1948)
- African Queen, The (1951)
- Caine Mutiny, The (1954)
- Lawrence of Arabia (1962)
- El Cid (1961)
- www.zeitgeistmovie.com
Filmmakers:
(Click on thumbnail image for a larger view)
|
|
It's not often I have the pleasure of meeting a real movie producer but on September 9, 2005 that's what happened! John De Graff, producer of Affluenza, took time out of his busy schedule to chat with me at the Sierra Club's 2005 Summit in San Francisco. It was refreshing to hear John talk about his own personal effort to live a low-impact, low consumption life-style. He did admit that frequent air travel was a regular part of his business but he made every effort to keep it to a minimum. I won't hold it against him as my own job keeps me in the air way too much as well! |
|
And, as luck would have it, in September '06 I had the pleasure of conducting a radio interview with first time moviemaker Ward Powers about his project, One, the Movie - we received great listener response! |
Jeep commercial!
During the evening of August 6, 2008, I was "scouting" the area of Yankee Boy Basin (in the vicinity of Ouray and Telluride Colorado) in preparation to climb Mt. Sneffels (14,150 ft/4,313 m) early the next morning. On my way back down the 4wd road I ran into this film crew at 11,000 feet (3,353 m)!! The light seemed low, to me (but seemed to satisfy them as you'll hear them say, in my YouTube video, "The saturation now is perfect" - whatever that means!!), and it was even sprinkling a bit. Nevertheless, they continued to film in ernest with a crew of at least 15 people (I can only imagine how much all this cost, being advised that the dozen or so director's assistants, alone, were each being paid $250 uSD per day, not to mention food, lodging and travel expenses!!) working diligently on the production. Since we were on public land they allowed me to hang around without hesitation. They were also controlling some of the 4wd traffic but did a great job in keeping the traffic flowing, and people happy, as much as possible. It was a very interesting affair that I'm happy I ran into. Oh, the camera vehicle was really out-of-this-world with its gyroscopically controlled camera-on-a-boom constantly panning and scanning every inch of the canyon. Really strange!
|
Protectng the camera |
Protectng the camera |
Camera vehicle |
Camera vehicle |
Actual filming |
|
Click Here for my YouTube video of them filming the Jeep commercial! |
|
|
Some Filmmaking History From the inside DVD cover of David Shepard's restoration of Robert Flaherty's 1922 classic, Nanook of the North |
"IN ITS EARLIEST YEARS (APRROX. 1895-1902), film production was dominated by 'actualities,' short pictures of real people in real places. Comprised largely of two categories - the travelogue and, more substantially, the industrial-life portrait - these films favored an unmediated view of the world over arranged spectacle.""Though they gave way in popularity to the narrative fictions of Georges Méliès and Edwin Porter, they continued to be produced in great number. Robert Flaherty's great innovation was simply to combine the two forms of actuality, infusing the exotic journey with the details of indigenous life. By so doing, Flaherty transcended the travelogue, as the picturesque became a real and respectful portrait."
"THE PORTRAIT HAS TWO THINGS that, even today, remain at the very core of the documentary idea. These are process and duration - the detailed representation of how everyday things are done (covering a kayak, negotiating ice floes, hunting, and caring for children) and how long the doing takes. For instance, consider Nanook's stunning igloo-building sequence, where labor is not only revealed in its social context, but emerges, through Nanook's skill and Flaherty's cinematic revelation, as a n ideal of beauty and spirituality."
"First there is shelter, then warmth, and finally light (the window!). Here and elsewhere in the film, by giving real processes a human dimension, craftsmanship and artistry become one. Nanook of the North pioneered these ideas, and it remains nearly matchless in executing them."
Links:
|
|
Back to Roger J. Wendell's Home Page...
Abbey |
About |
Blog |
Contacting
Me |
Copyright |
Disclaimer |
Donate |
Guest
Book |
Home |
Site
Index |
Solutions |
Terms,
Conditions
and
Fair
Use
Copyright
© 1955 -